Payroll Clerks (WMV 1280x720 HD) - featuring Tilly & Linh

Tilly and Linh are payroll clerks at the company where they work. Convinced that they must have access to the weekly payroll which is collected by armored truck and distributed to the various branches of the company, a man takes them both prisoner and ties them to chairs, one with duct tape and the other with zip ties. He demands information that will enable him to access the payroll before it is collected, but the girls insist that they don't have access to that kind of information. Their captor does not believe them and sets about humiliating and threatening them to break their resolve. He unbuttons each girl's white blouse, unhooks her bra and lifts it over her head, exposing her breasts. He contemplates aloud whether or not it will become necessary to attach electrodes to their nipples to make them talk. Still the girls maintain that they cannot provide the information he wants, so he ballgags them and leaves them to sit and drool for a while, finally saying that he is going out to his car to get the battery and some jumper cables. The girls struggle but they are tightly bound and have no hope of escape.

I Will Make You Talk (WMV 1280x720 pixels) - featuring Amanda Foxx

Amanda is a private detective who has been by a man she has been investigating for fraud. She is driven to a quiet location in the trunk of a car, and when her captor opens the door, he pulls off Amanda's gag and gives her one last chance to tell him how much she really knows before he has to take more drastic steps to make her talk. Amanda steadfastly refuses to cooperate, so her legs are freed and she is marched through a dingy garage. A little later, we find Amanda secured to a bed, her wrists bound to the bed frame with zip ties and her ankles tied together with rope. Her captor leans over her and warns her that she is out of time, and that she had better start talking. When she maintains her silence, he lowers a device from an overhead beam, something positioned above her breasts, something which has clamps held in place by padlocks, something that looks threatening. The man pulls up Amanda's top to expose her breasts and proceeds to attached a clamp to each of her nipples. They squeeze tight, making her squeal and whimper. But if she though this was all there was to it, she was badly mistake. Her captor lifts her feet and ties the opposite end of the rope attached to the claims to her ankles. Now, to avoid painfully stretching her nipples, Amanda must keep her legs elevated. If she lowers them, the torture only increases.

Missed Her Connection (MP4 1280x720 pixels) - featuring Linh

 Linh has a few hours of down time before she has to get back to the airport to pick up a connecting flight to LAX where she will work the Asian route for the next week. She arrives home and discovers at the front door that she doesn't have her house keys with her. Sure that she can find a way in, she starts making her way to the back of the house, but on the way she encounters a man whom she does not know and who should not be there. He seems annoyed that she has arrived home unexpectedly. The picture fades and when it returns, Linh in tied to a chair and cleave gagged. It is clear that she has missed her connecting flight, but why is she being held prisoner. When the man comes to ungag her and offer her something to drink, she tells him that the ropes are too tight, that they are hurting, but he refuses to loosen the ropes. When the encounter is done, he re-gags Linh and leaves her alone. Realizing that no one is going to help her, Linh starts struggling in earnest to free herself. In her efforts, she manages to tip her chair over. Lying on the floor still tied up, she is even more uncomfortable, but at least the fall seems to have loosened several of the ropes, just a little but maybe enough. She starts to make progress, wriggling one leg free and then one hand. She ungags herself and is about to finish untying herself when she hears her captor returning. She frantically tries to get out of the remaining ropes but it is too late. He is there, and now he will just tie her up again.

You'll Be Glad To Know We're Here (MP4 HD; 5 Mbps) - featuring Tilly McReese

As the trunk of the car opens, Tilly's hears the words: "You'll be glad to know we're here." For a short time, this might afford her some relief, until she realizes she is going to be secured to a tree with plastic cuffs, and her cleave gag traded for a duct tape gag which is wrapped around her head as well as the tree, immobilizing her. The man says it would be a shame if things went wrong for him and he didn't come back to free her later, because no one is likely to find her for a long, long time. After he leaves her alone, Tilly flexes her wrists inside the plastic cuffs but they are totally unforgiving. She can't possibly escape; nor can she speak or even move her head. Even her legs are secured with a pair of plastic cuffs around her ankles and a zip tie tightened directly below her knees. She is as helpless as she can possibly be, trapped in the middle of woods, hoping against hope that someone will find her before nightfall.

Tilly Tightly Zipped (WMV HD; 4 Mbps) - featuring Tilly McReese

In this very simple scenario, Tilly has been grabbed and taken prisoner. She is secured with a new style of plastic cuffs, one where the captor pulls on a ring and the loops tighten simultaneously on the victim's wrists. These are also placed around Tilly's ankles, and because of the long handles, a traditional zip tie is used to connect the two, putting Tilly in a hogtie. She has a cloth stuffed into her mouth and this is held in by a cleave gag, making it difficult for her to articulate her distress. Tilly struggles against her bonds but escape is quite impossible; she's going nowhere until someone frees her.

 

Tilly Tightly Zipped (MP4 HD; 5 Mbps) - featuring Tilly McReese

In this very simple scenario, Tilly has been grabbed and taken prisoner. She is secured with a new style of plastic cuffs, one where the captor pulls on a ring and the loops tighten simultaneously on the victim's wrists. These are also placed around Tilly's ankles, and because of the long handles, a traditional zip tie is used to connect the two, putting Tilly in a hogtie. She has a cloth stuffed into her mouth and this is held in by a cleave gag, making it difficult for her to articulate her distress. Tilly struggles against her bonds but escape is quite impossible; she's going nowhere until someone frees her.

 

The Insurance Investigator (MP4 HD; 5 Mbps) - featuring Jasmine St. James & Hannah Perez

Jasmine is an insurance investigator who has been following Hannah for some days, hoping she will lead her to her boyfriend. Hannah's boyfriend Duncan has stolen a priceless painting and the insurance company have no desire to pay out. What Jasmine does not realize is that Hannah has made her and manages to grab the investigator, tie her up and drive her to Duncan's location. The clip begins as Hannah pulls up outside the house and frees Jasmine's legs to get her out of the car. When Jasmine makes a run for it, Duncan springs into action and chases after her. He captures the fleeing girl and lifts her over his shoulder, carrying her back to the house and asking Hannah why she brought the girl here. They carry Jasmine into the basement of the house and zip tie her to an old bed, leaving her there while they decide what to do with her.

 

Don't Keep Me Tied Up

Cadence has had her eye on Cali for quite some time but never quite manages to strike be in the right place at the right time to meet her and perhaps strike up a conversation. Finally, in frustration, Cadence decides to take a more direct approach. One winter's morning she hides herself on the back seat of Cali's Jeep and waits for her to emerge from her house to go to work. Finally, Cali appears and Cadence crouches right down to avoid being seen. An unsuspecting Cali climbs into the driver's seat and is about to start the engine when a cloth is pressed over her nose and mouth. She pulls at the hand only it there but her assailant is too strong. The strange-smelling chemical on the cloth makes Cali lose focus and the world about her begins to swim. Her efforts to fight off her assailant weaken until she falls completely limp. Satisfied with her handiwork, Cadence lifts the comatose girl from her vehicle and carries her into her house. She ties Cali's wrists, thighs and ankles with rope, and just as she is pulling her into a hogtie, Cali slowly recovers. At first she is dazed and confused, hardly able to grasp what is going on. By the time the truth hits her it is too late to even struggle. Cadence ties rope around Cali's chest and arms, making her very secure before going out for a while. Naturally, she can't risk Cali calling for help if anyone should come to the door so she gags her victim before departing. Cali struggles hard but is unable to escape from her bondage.

The Victim

Jennifer is busy doing the dishes when a man bursts into her kitchen. She instinctively starts to back away from him but he closes the gap quickly and grabs her, pinning her arms to her sides. He tells her he just needs a place to stay for a while but she resists. Clearly he needs to subdue her. He produces a vial and a handkerchief, manages to get some of the contents of the vial onto it then presses the cloth over Jennifer's nose and mouth. She struggles but it is only a few seconds before the world recedes and she sinks limply to the floor. When she wakes, she finds herself tied to one of her kitchen chairs. She is both frightened and angry and calls out, bringing the man back into the room. He gags her to keep her quiet and tells her he only needs to stay for a day or so. Jennifer is left struggling on the chair, but she calms down as the hours pass, realizing that she can't escape.In the evening, the man comes back and removes her gag, giving her a few sips of water. He tells her he has arranged for her to spend the night more comfortably. Jennifer is transferred to her bed where she is secured to the head board with two pairs of handcuffs. Leather straps have been fastened around her booted ankles, straps that have been linked together and which are secured to the base of the bed by rope. Jennifer pulls and the handcuffs and tries to free her legs, but it's no good; she is again securely fastened and escape is impossible. The man comes in to the room and she is dismayed to see that he has found her stash of play things, and has her own ball gag in his hands. He climbs on the bed beside her and forces the ball into her mouth, then secures the strap at the back of her head.

You Have To Untie Me

Jasmine has just arrived home, ending a phone conversation as she turns off the engine of her vehicle. A man knocks on the window and she lowers it just a few inches to ask him what he wants. He says he is lost and asks for directions, and when jasmine starts to explain he offers her a map to show him the route. Jasmine lowers the window completely and takes it, and while her attention is focused on the map, she fails to notice the man reaching in with a cloth which he quickly presses over her nose and mouth. Jasmine fights furiously but she is soon forced to take a breath, then it is quickly over. She recovers to find herself tied to a chair. She calls out for help but that only brings the man she met outside into the room. She asks him who he is and demands that he untie her, but instead he applies a cleave gag to keep her quiet. When he disappears into another part of the house, Jasmine sets to work on trying to get free. First, she has to untie or slacken off a few of the ropes pinning her body to the chair so that she can reach round far enough to reach the knife tucked into a small pouch inside the waistband of her skirt. She manages to cut the ropes away and runs back to her vehicle, hoping to get away. She does not realize the man has anticipated this move and is waiting on the back seat, cloth in hand. He grabs her and subdues her with it again.This time, Jasmine wakes to find herself lying on the floor in a hogtie. The ropes feel tightly secured so she is doubtful that she can wriggle out of them. The man returns with a cloth and a roll of duct tape. As punishment for the stunt with the knife, he pushes the cloth into her mouth and seals it in with three strips of duct tape.

Tied Up For Their Own Good

Cali and Cadence have been visiting a neighbour for a small birthday party and they are the last to leave. They are trying to say goodnight to their host but they can't seem to concentrate and are making all kinds of random remarks. Clearly they are too intoxicated to drive. The host is worried that they may have an accident and that technically he would be responsible, so he tries to talk them into staying the night. The girls insist that they'll be fine, that it's only twenty minutes down the road, but their host is not willing to let them take the risk. He takes their car keys away from Cadence and insists that they stay. When the girls say they will walk home instead, without coats on a winter's night, that's bad enough, but when Cali says they will hitchhike and pulls up her dress to show how she will get a driver to stop, their host has had enough. He goes to fetch some rope and sets about tying the girls up to make them stay. The girls think this is a joke and have a really good laugh about it, at least until their wrists and ankles are bound and their host is still adding more rope to restrain them. They start insisting that he let them go or they will call the police and report him for stopping them driving, even if they would be DUI. They protest and make so much noise that no one in the house will not get any sleep unless they shut up, so their host stuffs a cloth into each girl's mouth and gags them both with duct tape. He wishes them a good night and leaves the room. Cali and Cadence, now somewhat sobered up by their predicament, struggle with their bonds and try to untie each other, determined to get on the road. It soon becomes clear, however, that untying themselves is going to prove quite a challenge, and they may have no choice but to spend the night there after all.

Who Gets the Date

Two good friends are hanging out at their house. Jasmine is going out to see a concert and she is going with her new boyfriend Brad who managed to get some tickets at the last minute. She brags a little about it to her friend Dee, and it's clear that Dee is a little annoyed by all this bragging, not least because Brad is one of her ex-boyfriends.Jasmine goes to her room to change before going out, leaving her cell phone on her chair. When a call comes in, Dee sees that it's from Brad and this tips her over the edge. She makes up her mind that she is going with Brad to the concert (it is, after all, her favorite band). She decides to teach Jasmine a lesson for being so boastful. Dee goes into the bathroom and squirts soe liquid on a rag, then sneaks into Jasmine's bedroom just as she is zipping up her boot and presses the rag over her nose and mouth. When Jasmine recovers, she finds herself lying on her bed in a hogtie with Dee leaning over her. Dee is ranting, angry about that whole Brad thing, and when Jasmine accuses her of being a psycho Dee cleave gags her. While Jasmine struggles with her bonds, Dee returns to the living room and calls Brad on Jasmine's phone. She explains to him that Jasmine is ill and that she herself would be more than happy to go to the concert with him. After all, she says, it would be a shame to waste the tickets. Brad agrees, much to Dee's delight. So, Dee goes to show off her dress to a bound and gagged Jasmine. Adding insult to injury, Jasmine realizes that Dee has taken one of her dresses! She says she is going to meet Brad now and leaves Jasmine fuming with rage. After a while, Jasmine is able to free herself. She plans to call Brad and tell him what has happened, but just as she arrives in the living room to retrieve her phone, she is surprised to see Dee pulling back into the driveway.Jasmine glances around and sees that Dee has forgotten her purse. She grabs the same rag Dee used on her and waits. As Dee enters, Jasmine grabs her from behind and sends her to a dark place.